As a rule, I try not to be too precious about my cookbooks. They’re meant to be practical, after all, and the best ones should bear the stains of cooking: the pages a little warped from sauce splatters, little smudges here and there on the edges, even pages escaping the binding after years and years of use. When I pull a book from the shelf and sit down on the couch to browse it, those little signs of wear and tear remind me of successful (and even the less-than-successful) meals.
My practical outlook was almost turned upside down when I unwrapped a copy of Polpo on Christmas Day, because in my hands was quite possibly the most aesthetically pleasing cookbook I ever had the pleasure of owning. I instantly loved everything about it: the typeface, the photography, the paper used for the pages. But the absolute neatest visual aspect about this book is the spine:
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How cool is that? And then I found this fantastic article from The Paris Review a few days later on the evolution of the bookshelf and that back in the days when books were primarily found in monasteries they would be placed with the front edges out, all ornately illustrated. But I digress.











