Sangria was something I dabbled with in New York but fully embraced when we moved to Stamford–many a weekend during the spring and summer months would I make a big pitcher for us to sip on, often relaxing out on our balcony. My sangria-making frequency went down significantly since we moved to Baltimore, likely because we’ll spend many weekends either traipsing around the city looking for fun or we’re on the road to visit people. Read More
In the section on entertaining in Anthony Bourdain’s Appetites: A Cookbook, one of his suggestions is to always keep some frozen pigs in a blanket on hand because from his experience, no matter how fancy the affair everyone will come clamoring for some meat in puff pastry. It’s a fine idea, and one I’ll probably keep in mind for our next New Year’s Eve celebration, but if I’m entertaining a smaller group of people I want to do something a little more special. Read More
Can I take a moment and say how smitten I am with the newest episodes of Master of None? We’re slowly making our way through the season–just one new one a week–and as such I feel like we’re SO behind because the various pop culture blogs I follow have already moved on to a bunch of other shows, like The Handmaid’s Tale and GLOW. (Both are really good, and I’ll be writing about the former in this space relatively soon.) Such is the internet in the age of Peak TV, but I still prefer savoring each episode on its own especially since it’s not clear if we’ll see another season of the show, much less one anytime soon. And given the ambition Aziz Ansari and his team had with this season, I can only imagine how frustrating it must be to be incessantly asked when the next batch of episodes would be coming because so many people burned through the current set so quickly. Read More
One of the objectives of this whole cook-through-my-cookbook-bookcase experiment was to reconnect with cookbooks I used to use all of the time but have since…well, not abandoned, per se, but haven’t referenced as much as I’d like to. The Book of Tapas is one where I have a handful of recipes that have entered our regular rotation—I’m particularly fond of the lemon-garlic chicken wings—but a few Fridays ago I decided to finally try a recipe I sort of half-assed back in New York and then never attempted to make again: the ham and quail’s egg tapa. Read More
As I’ve learned to love and appreciate a good salad over time, I’ve been trying to add more of them to our rotation, saving the more complicated ones for the weekend, or for days when I’m craving something simple and light during one of my sabor de soledad sessions. There’s one recipe from Alton Brown’s new cookbook that’s been an early favorite, but given that strawberries feature heavily in it, I’ve been waiting for them to come into their peak season before writing about it. This recipe, on the other hand, is relatively season-agnostic* and what I like about it is that in the winter it helps you think of warmer days and in the summer the grilled mushrooms add substance without weighing the dish down on a hot day. Read More
I actually made this back in January when entertaining a friend who was staying with us for the night, and she was so excited when I told her about my resolution for the year that she asks me how I’m doing on it and that’s one of the reasons that finally compelled me to write all of this down and track in properly. I have many books to go still, but I’m as determined as ever to get through this.
Next up: white gazpacho from Anthony Bourdain’s Appetites: A Cookbook.
I’ve decided that I’m going to master making pasta completely by hand. This thought first came about a few weeks ago when I was trying and (mostly) succeeding in making a Puglian dough out of water and semolina flour, but was cemented when we finally sat down to watch the season two premiere of Master of None. Earlier that evening I had been feeling rather vulnerable and grouchy but thought that a solid workout and some soothing yoga had calmed my nerves. Then Aziz Ansari has to go and make a big, soaring love letter to classic Italian cinema and show this sequence: